Новые шрифты (Справка) / New fonts (Review)

[vovanic]

Theodore Glagolev Display

Кейс проекта можно посмотреть здесь:
https://www.behance.net/gallery/3684...agolev-Display

[Pavel_Norot]

Шрифт DXOldStandardRevilion



Гарнитура: DXOldStandardRevilion
(в составе DXOldStandardRevilion, DXOldStandardRevilionTinted)
Тип: Антиква нового стиля
Начертание: Regular
Кодировки: WE, CE, Baltic, Turkish, Cyrillic
Формат: OTF
Дата выпуска: Сентябрь 2016

Цифровая версия шрифта Обыкновенный(типа Ревильон) Гарнитура №1. Образцами для воссоздания послужили оттиски шрифта из Каталога ручных шрифтов (Прапор, 1973 год) и Каталога ручных и машинных шрифтов (Издательство Книга, 1969 год). В составе гарнитуры два начертания: акцидентно-текстовое и декоративное оттененное.

[alborov77]

Neacademia Small Text. By Sergei Egorov. Четвертое и последнее начертание в гарнитуре. Отф+ттф, прямой и курсив. Прайс эпичный, как всегда.

Neacademia Small Text is the final instalment in Sergei Egorov’s investigation into 15th century typefounding methods.
In a blog post about the development, Sergei looks back at the process that was started in 2009, and sheds some light into the considerations that informed the design of Neacademia.
An unusual, yet fascinating approach to creating optical sizes.
The new variant, which is intended for the smallest point sizes, features a low contrast and generous proportions, improving legibility in captions and small texts. The shapes owe much to the punchcutter’s graver, as it worked its way through the steel, making short curves and leaving sharp details in tight corners.

[vovanic]

TT Walls
http://www.myfonts.com/fonts/type-type/tt-walls/

Designers: Ivan Gladkikh
Design date: 2016
Publisher: TypeType

[alborov77]

PT Astra Sans, PT Astra Serif — новые общедоступные шрифты (фриварные ттф)

Совместно с разработчиком операционных систем «Astra Linux» АО «НПО РусБИТех» ПараТайп представляет общедоступные шрифты PT Astra Sans и PT Astra Serif.
Шрифты разработаны на основе Pt Sans и PT Serif, модифицированных таким образом, чтобы они подходили под стандарты оформления документов, эталоном ёмкости для которых является Times New Roman. Каждая из гарнитур представлена четырьмя базовыми начертаниями с широкой языковой поддержкой. Помимо стандартного набора знаков для работы с языками Западной и Восточной Европы, а также комплекта стандартной кириллицы, шрифты содержат знаки всех алфавитов государственных титульных языков Российской Федерации. Сформированные в рамках кроссплатформенного формата OT-TTF, шрифты дополнительно оптимизированы для экранов различного разрешения.
Картинка (не влезет сюда с нашими нормами отображения)
PT Astra Sans, PT Astra Serif спроектированы дизайнерами Александрой Корольковой и Изабеллой Чаевой и подготовлены к выпуску компанией ПараТайп в 2016 году.

[WicCaesar]

Google's Noto

A big challenge in sharing digital information around the world is “tofu”—the blank boxes that appear when a computer or website isn’t able to display text: ⯐. Tofu can create confusion, a breakdown in communication, and a poor user experience.

Five years ago Google set out to address this problem via the Noto—aka “No more tofu”—font project. Today, Google’s open source Noto font family provides a beautiful and consistent digital type for every symbol in the Unicode standard, covering more than 800 languages and 110,000 characters.



The Noto project started as a necessity for Google’s Android and ChromeOS operating systems. When we began, we did not realize the enormity of the challenge. It required design and technical testing in hundreds of languages, and expertise from specialists in specific scripts. In Arabic, for example, each character has four glyphs (i.e., shapes a character can take) that change depending on the text that comes after it. In Indic languages, glyphs may be reordered or even split into two depending on the surrounding text.
The key to achieving this milestone has been partnering with experts in the field of type and font design, including Monotype, Adobe, and an amazing network of volunteer reviewers. Beyond “no more tofu” in the common languages used every day, Noto will be used to preserve the history and culture of rare languages through digitization. As new characters are introduced into the Unicode standard, Google will add these into the Noto font family.
Google has a deep commitment to openness and the accessibility and innovation that come with it. The full Noto font family, design source files, and the font building pipeline are available for free at the links below. In the spirit of sharing and communication across borders and cultures, please use and enjoy!

Noto fonts download: https://www.google.com/get/noto/
Design source files: https://github.com/googlei18n/noto-source
Font building pipeline: https://github.com/googlei18n/fontmake

[NET_Goblin]

Очень понравился шрифт, богатый на альтернативные глифы, решил оставить ссылку тут - The Mozart Script.

Промо-ролик - https://www.youtube.com/embed/aCWMnYLL8Bc

[Pavel_Norot]

Шрифт DXElsevierBook



Гарнитура: DXElsevierBook
Тип: Антиква
Начертание: Regular, Italic
Кодировки: WE, CE, Baltic, Turkish, Cyrillic
Формат: OTF
Дата выпуска: Май, 2015
Дата обновления: Октябрь, 2016

Цифровая версия шрифта Книжный эльзевир, словолитни О.И.Лемана.

[thomcat]

Скрытый текст (вы должны зарегистрироваться или войти под своим логином):

У вас нет прав чтобы видеть скрытый текст, содержащийся здесь.

BigCityPro [CSTM fonts] шрифт был разработан для журнала 'Большой город', где обратил на себя мое внимание (и, можно сказать, прочно завладел им).
...Этот шрифт, как и другие гуманистические гротески, основан на конструкциях антиквы старого стиля. BigCity Grotesque стал первым журнальным гротеском с кириллическими лигатурами. В 2009 году шрифт был отмечен на международном конкурсе «Современная кириллица 2009».
В новой версии шрифта, разработанной Ольгой Паньковой, рисунок знаков уточнён, гарнитура расширена за счёт новых прямых и курсивных начертаний, капители, новых лигатур и неалфавитных символов. BigCity Grotesque Pro, благодаря широкой линейке начертаний, представляет собой серьёзный инструмент для решения любых типографических задач: от акциденции до кропотливой работы с набором.
- - - -
не знаю, продолжает ли выпускаться БГ, но шрифт теперь -- доступен для приобретения.

[vovanic]

TT Chocolates Condensed
http://www.myfonts.com/fonts/type-ty...tes-condensed/

Designers: Ivan Gladkikh
Design date: 2016
Publisher: TypeType

Воспользуйтесь скидкой -85%: https://goo.gl/0jr3u0
Или попробуйте бесплатное демо: https://goo.gl/Px0DNQ

[laboo]

Sagona by Rene Bieder

9 weights with matching true italics, small caps, oldstyle nums, ligs, stylistic alternates.

No cyrillic, but will cover most european languages.



http://www.myfonts.com/fonts/rene-bieder/sagona/

Sagona is a contemporary slab serif building on the clarendon/ionic model dating back to the 19th century. Like its most famous representative Clarendon, Sagona features strong serifs and a variable stroke contrast resulting in a versatile typeface working great in headlines and small text sizes.

René Bieder has a knack for taking a familiar typographic style and putting a personal spin on it. Sagona, his interpretation of the slab serif, sees him injecting playfulness and warmth in the clarendon/ionic model that dates all the way back to the 19th century. The welcoming atmosphere of the typeface is emphasised by its generous proportions and ball terminals replacing serifs in certain spots. The versatile family works equally well in text and display sizes. A moderate contrast, large x-height, and short descenders and ascenders in combination with sturdy serifs guarantee optimal legibility in print and on the screen. Furthermore all weights are equipped with small caps and all the figure styles needed for body text. Numerous alternates, ligatures, and decorative alternate caps offer welcome flexibility in titles and headlines, making this a great, all-round typographic solution.

[laboo]

Classica Pro by Bernd Möllenstädt (†) and Volker Schnebel, URW++

4 weights with matching true italics, small caps, oldstyle nums, ligs...

No cyrillic, but will cover most european languages.



http://www.myfonts.com/fonts/urw/classica-pro/

Bernd Möllenstädt — best known for the classics Formata and Signata — was the head of the type design department at the legendary Berthold type foundry for over two decades, and succeeded Günter Gerhard Lange as its type director. Shortly before his death, Möllenstädt asked Volker Schnebel to help him develop the early drafts of Classica — a typeface he still had in a drawer — into a full-fledged family. When Möllenstädt passed away in March 2013, Schnebel decided to bring the unfinished masterpiece to fruition.

"It was only after many years, shortly before the end of his life, Bernd Möllenstädt brought out these early drafts of his Classica Light and Light Italic from his drawer, and asked me to produce for him on the computer a Bold and Bold Italic, from which we later wanted to interpolate further cuts like Regular and so on.

The boldening of letters with an oblique axis and with hairlines which should not grow to the same extent as the general line widths, is hard to cope with perfectly, even for the smartest computer program, and even more so, when it concerns an as complicated set of data as those conceived by Bernd. The automatically generated result could therefore only be a first step that had to be improved manually later. This was about the stage that we had reached when Bernd died in March 2013, leaving me behind with comprehensive corrections on proofs of this automatically generated Bold. Although I was aware that it would mean a lot of work to complete the project, I did not want to leave it unfinished and decided to finalize and publish the Classica, also in Bernd‘s honor" (Volker Schnebel).

[qryto]

Boita 5 начертаний + кириллица
Дизайнер: Mariya Pigoulevskaya
Дата публикации: 17 ноября 2016
http://www.myfonts.com/fonts/northernblock/boita/

[Pavel_Norot]

Шрифт DXCicero



Гарнитура: DXCicero (в составе DXCicero, DXCiceroMedium)
Тип: Акцидентный
Начертание: Regular
Кодировки: WE, Cyrillic
Формат: OTF
Дата выпуска: Ноябрь 2016

Шрифт разработан по мотивам "Гарнитуры III/о Новикова" словолитни О.О.Гербек, текстового шрифта в стиле русских шрифтов конца XVIII века. Выпущен в двух начертаниях: светлое и и более контрастное Медиум.

[igova]

Euclid Flex Cyrillic
by swisstypefaces
01/12/2016