Linotype

[blackyblack]

Fruitygreen-Pro Originals 6 x OTF

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Download

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[convoy88]

Neue Frutiger Pro 1450



Neue Frutiger Pro 1450 All 8xOTF wf-rip
http://www.linotype.com/1209417/Neue...k-product.html
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[ideebox]

Melior LT Pro

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[Dynahelium]

Eurostile Unicase (1× OTF)

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[Bomag12]

Lippy | 1x TTF | Linotype

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[Dynahelium]

Optima Cyrillic (4× OT-CFF)

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[Dynahelium]

DIN Neuzeit Grotesk Pro (2× OT-CFF)

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Credits to angelica.

[NuttShell]

Avenir® Next Cyrillic

Design date: 1988-2003
Designer: Designed by Adrian Frutiger in 1988, Akira Kobayashi in 2003
Publisher: Linotype

| Avenir® Next Cyrillic Family Pack (16 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG »

Avenir® Next Cyrillic Ultra Light
Avenir® Next Cyrillic Ultra Light Italic
Avenir® Next Cyrillic Thin
Avenir® Next Cyrillic Thin Italic
Avenir® Next Cyrillic Light
Avenir® Next Cyrillic Light Italic
Avenir® Next Cyrillic Regular
Avenir® Next Cyrillic Italic
Avenir® Next Cyrillic Medium
Avenir® Next Cyrillic Medium Italic
Avenir® Next Cyrillic Demi
Avenir® Next Cyrillic Demi Italic
Avenir® Next Cyrillic Bold
Avenir® Next Cyrillic Bold Italic
Avenir® Next Cyrillic Heavy
Avenir® Next Cyrillic Heavy Italic

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Цитата: Adrian Frutiger designed Avenir™ in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. The word Avenir means 'future' in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an "o" that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. Avenir™ Next is a Platinum Collectionfont family, recently released as a major improvement and extension to the existing Avenir. It includes new small caps, newly designed true italics, and a complete new range of condensed weights. Avenir™ Next is a versatile sans serif family, ready for large and complex projects from books to signage to advertising."

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[NuttShell]

Neue Frutiger® Cyrillic

Design date: 2009
Designer: Designed by Adrian Frutiger in 2009, Akira Kobayashi in 2009
Publisher: Linotype

| Neue Frutiger® Cyrillic Complete Family Pack (40 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

Neue Frutiger® Pro Cyrillic Ultra Light
Neue Frutiger® Pro Cyrillic Ultra Light Italic
Neue Frutiger® Pro Cyrillic Thin
Neue Frutiger® Pro Cyrillic Thin Italic
Neue Frutiger® Pro Cyrillic Light
Neue Frutiger® Pro Cyrillic Light Italic
Neue Frutiger® Pro Cyrillic Book
Neue Frutiger® Pro Cyrillic Book Italic
Neue Frutiger® Pro Cyrillic Regular
Neue Frutiger® Pro Cyrillic Italic
Neue Frutiger® Pro Cyrillic Medium
Neue Frutiger® Pro Cyrillic Medium Italic
Neue Frutiger® Pro Cyrillic Bold
Neue Frutiger® Pro Cyrillic Bold Italic
Neue Frutiger® Pro Cyrillic Heavy
Neue Frutiger® Pro Cyrillic Heavy Italic
Neue Frutiger® Pro Cyrillic Black
Neue Frutiger® Pro Cyrillic Black Italic
Neue Frutiger® Pro Cyrillic Extra Back
Neue Frutiger® Pro Cyrillic Extra Black Italic
Neue Frutiger® Pro Cyrillic Condensed Ultra Light
Neue Frutiger® Pro Cyrillic Condensed Ultra Light Italic
Neue Frutiger® Pro Cyrillic Condensed Thin
Neue Frutiger® Pro Cyrillic Condensed Thin Italic
Neue Frutiger® Pro Cyrillic Condensed Light
Neue Frutiger® Pro Cyrillic Condensed Light Italic
Neue Frutiger® Pro Cyrillic Condensed Book
Neue Frutiger® Pro Cyrillic Condensed Book Italic
Neue Frutiger® Pro Cyrillic Condensed Regular
Neue Frutiger® Pro Cyrillic Condensed Italic
Neue Frutiger® Pro Cyrillic Condensed Medium
Neue Frutiger® Pro Cyrillic Condensed Medium Italic
Neue Frutiger® Pro Cyrillic Condensed Bold
Neue Frutiger® Pro Cyrillic Condensed Bold Italic
Neue Frutiger® Pro Cyrillic Condensed Heavy
Neue Frutiger® Pro Cyrillic Condensed Heavy Italic
Neue Frutiger® Pro Cyrillic Condensed Black
Neue Frutiger® Pro Cyrillic Condensed Black Italic
Neue Frutiger® Pro Cyrillic Condensed Extra Black
Neue Frutiger® Pro Cyrillic Condensed Extra Black Italic

Цитата: During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

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[NuttShell]

Frutiger® Next Cyrillic

Design date: 2000
Designer: Designed by Adrian Frutiger in 2000, Linotype Design Studio in 2000
Publisher: Linotype

| Frutiger® Next Cyrillic Pack (21 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

FrutigerNext LT CYR UltraLtIt
FrutigerNext LT CYR UltraLtCn
FrutigerNext LT CYR UltraLt
FrutigerNext LT CYR RegularCn
FrutigerNext LT CYR Regular
FrutigerNext LT CYR MediumIta
FrutigerNext LT CYR MediumCn
FrutigerNext LT CYR Medium
FrutigerNext LT CYR LightIta
FrutigerNext LT CYR LightCn
FrutigerNext LT CYR Light
FrutigerNext LT CYR Italic
FrutigerNext LT CYR HeavyIta
FrutigerNext LT CYR HeavyCn
FrutigerNext LT CYR Heavy
FrutigerNext LT CYR BoldIta
FrutigerNext LT CYR BoldCn
FrutigerNext LT CYR Bold
FrutigerNext LT CYR BlackIta
FrutigerNext LT CYR BlackCn
FrutigerNext LT CYR Black

Цитата: Frutiger™ Next is Adrian Frutiger's and Linotype's completely new interpretation of the well known typeface Frutiger released in 2000. The family is available in two versions: OpenType, or traditional font formats (PostScript and TrueType). For these revised forms, the areas of application are almost limitless. Frutiger Next can be used for anything from office communications to multimedia to complex printed materials. The OpenType Version Here is a Frutiger" family with small caps, oldstyle figures, and other figure options in every font; Western, Central, and Eastern European glyph coverage is included as well! Adrian Frutiger's eponymous typeface has been used for decades, everywhere from airport signage to book text to corporate logos to the smallest web graphics. Now, customers may order Frutiger Next in OpenType format as well. The OpenType family has seven weights -- an Extra Light weight was created just for the OpenType release -- each in Regular, Italic, and Condensed variants-that's 21 fonts in all! Plus, the fonts include more robust character sets, thanks to their OpenType programming. The Italics in the original version of Frutiger were based very closely on the Roman forms; in Frutiger Next, they have been re-designed to be true Italics.

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[NuttShell]

Luba™ Cyrillic

Design date: 2009
Designer: Designed by Hendrik Möller in 2009
Publisher: Linotype

| Luba™ Cyrillic (4 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

Luba LT CYR Light
Luba LT CYR Regular
Luba LT CYR Medium
Luba LT CYR Bold

Цитата: Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic script coverage, or with support for just the Latin script. Moeller initially developed Luba to assist speakers of languages using the Latin script who are just embarking upon learning a language that uses the Cyrillic script, i.e., French, Germans, or Italians who are learning Russian or Ukrainian. Luba's letters place significant emphasis on their identifying elements; clear forms and a relaxed style help familiarize the reader with the foreign glyphs. The typeface makes clear distinctions between Latin and Cyrillic letters, without covering up their shared heritage.

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[NuttShell]

Univers® Next Cyrillic

Design date: 2010
Designer: Designed by Adrian Frutiger in 2010, Linotype Design Studio in 2010
Publisher: Linotype

| Univers Next® Cyrillic Complete Family (12 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

Univers® Next Pro Cyrillic 330 Light
Univers® Next Pro Cyrillic 331 Light Italic
Univers® Next Pro Cyrillic 430 Regular
Univers® Next Pro Cyrillic 431 Italic
Univers® Next Pro Cyrillic 530 Medium
Univers® Next Pro Cyrillic 531 Medium Italic
Univers® Next Pro Cyrillic 630 Bold
Univers® Next Pro Cyrillic 631 Bold Italic
Univers® Next Pro Cyrillic 730 Heavy
Univers® Next Pro Cyrillic 731 Heavy Italic
Univers® Next Pro Cyrillic 830 Black
Univers® Next Pro Cyrillic 831 Black Italic

Цитата: Linotype Univers™ is a completely reworked version of the original Univers Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. The systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming."

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[NuttShell]

VAG Rounded™ Cyrillic

Design date: 1979
Designer: Designed by Volkswagen in 1979
Publisher: Linotype

| VAG Rounded™ Cyrillic Pack (4 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

VAGRounded LT CYR Thin
VAGRounded LT CYR Light
VAGRounded LT CYR Bold
VAGRounded LT CYR Black

Цитата: Designed for Volkswagon AG in 1979, VAG Rounded is a modification of 19th-century grotesques. Exceptional in this typeface are the rounded stroke endings. Use this typeface for technical texts, instruction manuals, or advertising.

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[NuttShell]

Trump Mediaeval® Cyrillic

Design date: 1954
Designer: Designed by Georg Trump in 1954
Publisher: Linotype

| Trump Mediaeval® Cyrillic Complete Family Pack (4 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

Trump Mediaeval® Pro Roman
Trump Mediaeval® Pro Italic
Trump Mediaeval® Pro Bold
Trump Mediaeval® Pro Bold Italic

Цитата: Trump Mediaeval is an Old Face font developed by Georg Trump between 1954 and 1962. All cuts have both normal and old style numbers and their robust characters make them suitable even for inferior paper. Light and legible, the open forms of the lower case letters allow this font to be legible in text with as small a point size as 5.

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[NuttShell]

Univers® Cyrillic

Design date: 1957
Designer: Designed by Adrian Frutiger in 1957
Publisher: Linotype

| Univers® Cyrillic Complete Family Pack (19 OT-CFF Fonts) | v.1.00 | Кириллица | ORIGINAL\DSIG |

Contained fonts »

Univers® Pro Cyrillic 45 Light
Univers® Pro Cyrillic 45 Light Oblique
Univers® Pro Cyrillic 55 Roman
Univers® Pro Cyrillic 55 Oblique
Univers® Pro Cyrillic 65 Bold
Univers® Pro Cyrillic 65 Bold Oblique
Univers® Pro Cyrillic 75 Black
Univers® Pro Cyrillic 75 Black Oblique
Univers® Pro Cyrillic 85 Extra Black
Univers® Pro Cyrillic 85 Extra Black Oblique
Univers® Pro Cyrillic 47 Condensed Light
Univers® Pro Cyrillic 47 Condensed Light Oblique
Univers® Pro Cyrillic 57 Condensed Roman
Univers® Pro Cyrillic 57 Condensed Oblique
Univers® Pro Cyrillic 67 Condensed Bold
Univers® Pro Cyrillic 67 Condensed Bold Oblique
Univers® Pro Cyrillic 39 Ultra Condensed Thin
Univers® Pro Cyrillic 49 Ultra Condensed Light
Univers® Pro Cyrillic 59 Ultra Condensed Roman

Цитата: The font family Univers™ is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry's art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts - quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Piegnot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas'sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989. Adrian Frutiger continues to do design work with Linotype right up to the present day. In 1997, Frutiger and the design staff at Linotype completed a large joint project of completely re-designing and updating the Univers family. The result: Linotype Univers - available with 59 weights and 4 Linotype Univers Typewriter weights. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence.

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