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| Правила Форума редакция от 22.06.2020 |
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Опции темы | Опции просмотра |
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#1
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Type designer (b. 1938, Switzerland, based in Paris) who studied typesetting in Zürich from 1954-1958. Later he studied with Emil Ruder and Armin Hofmann in Basel (1965-1967). From 1967-1971, he was a type designer with Mergenthaler Linotype in Brooklyn, NY, where he worked with Matthew Carter. From 1971-1975, he worked with Frutiger in Paris, and became a freelance designer in 1976. From 1990-2006, he led some labs at the Atelier de Recherche Typographique, NRT, in Nancy. From 1998-2002, he had his own design bureau together with Ursula Held: Atelier H. He has also taught at the Hochschule für Gestaltung und Kunst in Zürich.
He codesigned CGP (used in Centre Georges Pompidou; 1974-94, with Jean Widmer, and Adrian Frutiger), Centre Pompidou Pictograms (1974, for the same project in Paris), Cyrillic (in 1970 with Adrian Frutiger for IBM Composer), Frutiger (in 1976 with Adrian Frutiger at Stempel), Gando Ronde (a formal script, with Matthew Carter in 1970; Linotype; called French 111 at Bitstream), Helvetica (with Matthew Carter in 1970; Linotype), Iera Arabic and Iera Roqa Arabic (1983, Institut d'étude et de recherches pour l'arabisation; Honeywell Bull), Metro (in 1970 with Adrian Frutiger; used in the RATP), Univers and Univers Cyrillic (in 1970 with Adrian Frutiger; Linotype), and the Siemens custom type family (in 2001, a cooperation with URW). Siemens, the project he is best known for, won an award at the TDC2 Type Directors Club's Type Design Competition 2002. |
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#2
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#3
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![]() Siemens Sans, Siemens Slab and Siemens Serif (2001-2007, URW++), the project he is best known for, won an award at the TDC2 Type Directors Club's Type Design Competition 2002. http://www.tdc.org/news/2002Results/Siemens.html
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| Эти 8 пользователя(ей) сказали cпасибо за это полезное сообщение: |