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| Правила Форума редакция от 22.06.2020 |
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Опции темы | Опции просмотра |
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#61
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ViP
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Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Canela Collection
12xOTF | 2016 | Original ![]() https://commercialtype.com/catalog/canela/ Canela is a graceful display typeface that defies many of the traditional classifications. Designed by Miguel Reyes, its forms are in an ambiguous space between sans and serif, both soft and sharp, modern yet with roots in the classical. Canela began as an interpretation of Caslon, but Reyes gradually took the family in a new and unexpected direction, shedding its serifs and leaving only vestigial flaring at the ends of strokes, taking on on a monumental quality influenced by his experience with stonecarving. Canela debuted in issue 5 of fashion and art magazine Document Journal, where its sober elegance complemented a melancholic moment in fashion. Delicate in its lightest form, with its gently flared strokes, as the weight increases to the blackest weights it takes on entirely different feeling of warmth with a quiet confidence.
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#62
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ViP
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Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Dala Floda Collection
34xOTF | Original ![]() Dala Floda has its roots in the typefaces of the Renaissance but adds the twist of being a stencil letterform. Originally inspired by worn gravestone lettering and lettering on shipping crates, the elegance of the forms belies their everyday origins. First designed in 1997 for a logo, Dala Floda eventually became the headline typeface for the art magazine frieze in 2005. Since then the family has grown considerably, with the addition of an italic and a range of heavier weights, all the way up to a Fat. Its stencil form makes it very distinctive for headline use and especially well suited for logotypes. ![]() Dala Moa is a sans serif stencil typeface for display, sharing the proportions of its cousin Dala Floda. It takes the same inspiration – the erosion of letters on stones – but takes the idea one stage further with the removal of serifs, revealing basic structures. The forms and proportions of the romans come directly from Dala Floda, while the italic diverges into the upright humanist tradition. The lighter weights show the influence Jan Tschichold’s stencil experiments of the 1930s, and in particular his lesser-known display face Saskia released by Schelter & Giesecke. ![]() Dala Prisma is a development of the stencil typeface Dala Floda, replacing the solid forms with a series of stripes which vary in width, offering a wonderful optical effect. The variation between thick and thin is exaggerated with multiple lines, which increase in number as the typefaces becomes bolder. With both roman and italic variants, and featuring the same set of typographic features such as fractions, small caps, and swashes as the original Dala Floda family, Dala Prisma is a uniquely powerful display typeface. The extreme thinning of lines means this family only works at large display sizes. https://commercialtype.com/catalog/dala_floda
rip with Cyrilic
Последний раз редактировалось jerryj; 14.11.2019 в 15:44.. |
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| Эти 18 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#63
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ViP
![]() Пол:
Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Atlas Collection
24xOTF | Original ![]() Atlas Grotesk Family, 12 styles Atlas Typewriter Family, 12 styles https://commercialtype.com/catalog/atlas Скачать |
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| Эти 13 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#64
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ViP
![]() Пол:
Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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| Эти 14 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#65
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ViP
![]() Пол:
Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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The Complete Austin Collection
Austin & Austin News Package | 8**OTF | 2007, 2010, 2014, 2016 | Original ![]() Initially designed for British fashion magazine Harper’s & Queen, Austin is a loose revival of the typefaces cut by Richard Austin for trade published John Bell in the late 18th century. Referencing Austin’s text types, Paul Barnes designed a display face with all of the hallmarks of a ‘fashion’ type: high contrast, tight spacing, and beautifully nuanced curves. Later additions to the family expanded its usability to the largest sizes, with the elegant Austin Hairline weights, a the wider and more robust Austin Text, and four-style News. Also new is a Latin+Cyrillic family. https://commercialtype.com/catalog/a...nd_austin_news Austin Collection: • Austin Family • Austin Cyrillic: – AustinCyrillic-Bold – AustinCyrillic-ExtraboldItalic – AustinCyrillic-Extrabold – AustinCyrillic-FatItalic – AustinCyrillic-Fat – AustinCyrillic-Italic – AustinCyrillic-MediumItalic – AustinCyrillic-Medium – AustinCyrillic-Roman – AustinCyrillic-SemiboldItalic – AustinCyrillic-Semibold – AustinCyrillic-BoldItalic
Последний раз редактировалось jerryj; 12.08.2020 в 13:07.. |
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#66
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ViP
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Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Graphik Collection
36xOTF | Origanal ![]() https://commercialtype.com/catalog/graphik • Graphik Family – Graphik – Graphik LCG (Font files with LCG in the family name support our full standard range of languages that use the Latin, Cyrillic, and Greek alphabets. Graphik has been expanded to support Greek and a number of the most commonly-used languages that are written with the Cyrillic alphabet, including Russian, Ukrainian, Belorussian, Bulgarian, and Serbian. The Cyrillic was drawn by Moscow-based type designer Ilya Ruderman, who used a pre-release version in his studio’s new corporate identity for the British Higher School of Art & Design. •Produkt Family Produkt is the slab serif version of the sans Graphik family. This typeface follows the twentieth century tradition of adding slabs to a European Grotesk to create an attractive and functional companion serif typeface. Its serifs are relatively short, particularly in the heaviest weights, so it retains the compact proportions and regular texture that characterize Graphik.
Последний раз редактировалось jerryj; 12.08.2020 в 13:09.. |
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| Эти 25 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#67
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Пользователь
Пол:
Регистрация: 22.04.2011
Сообщений: 78
Репутация: 466
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Le Jeune Collection
https://commercialtype.com/catalog/lejeune
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| Эти 10 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#68
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ViP
![]() Пол:
Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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The Complete Publico Font Collection (Updated)
40×OTF | Original | 2010, 2013, 2014 ![]() • Publico Banner Family • Publico Headline Family • Publico Text Family • Publico Text Mono Family https://commercialtype.com/catalog/publico ![]()
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#69
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ViP
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Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Action Condensed Font Collection
24xOTF | Original | 2015 ![]() • Action Condensed Light Family • Action Condensed Regular Family • Action Condensed Medium Family • Action Condensed Bold Family https://commercialtype.com/catalog/action_condensed
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#70
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ViP
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Регистрация: 25.09.2010
Сообщений: 770
Репутация: 4041
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Caponi Collection
34xOTF | Original | 2014 https://commercialtype.com/catalog/caponi ![]() • Caponi Display Family • Caponi Slab Family • Caponi Text Family ![]()
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#71
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Stag and Stag Sans | 2014 | 28xOTF | Original | Ciryllic
![]() Commercial Type
____ jerryj: original? wf-rip? Последний раз редактировалось jerryj; 22.07.2016 в 21:35.. Причина: original? wf-rip? |
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| Эти 11 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#72
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Новичок
Пол:
Регистрация: 04.05.2007
Сообщений: 21
Репутация: 45
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Druk Font Collection
38xOTF | wf | new version with Cyrillic ![]()
Последний раз редактировалось jerryj; 01.12.2017 в 00:32.. Причина: re up |
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| Эти 11 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#73
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/reupload
Добавлено через 18 минут /reupload
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#74
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Пользователь
Пол:
Регистрация: 27.07.2009
Сообщений: 32
Репутация: 161
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Marian Text
9 OTF (Wf-rip) https://commercialtype.com/catalog/marian/marian_text ![]()
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| Эти 9 пользователя(ей) сказали cпасибо за это полезное сообщение: |
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#75
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Styrene A & B | 24 x OTF | 2016 | v. 1.1 | Berton Hasebe | wf-rip
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| Эти 9 пользователя(ей) сказали cпасибо за это полезное сообщение: |